Few artists in Sweden have left as lasting a mark on the country’s cultural landscape as Magnus Uggla. A true household name, Uggla has been a part of Swedish life for decades—his music a sharp, witty soundtrack to growing up in Sweden. With a discography that spans everything from glam rock to synth-pop, Uggla has long been the master of mixing biting satire with catchy hooks. Songs like Jag mår illa ("I feel sick"), Kung för en dag ("King for a day") and Johnny the Rocker have become anthems, not only for their infectious melodies but also for their unfiltered takes on society, celebrity culture, and everyday absurdities.
Still Relevant, Still Unapologetic
Uggla’s ability to wrap social commentary in pop perfection has earned him a unique place in Swedish music. He’s humorous, he’s sharp-tongued, and he rarely takes himself too seriously—something that makes his music feel both timeless and refreshingly current. Fittingly, his latest single Stans bästa kebab was released just in time for his performance at the Göteborg Culture Festival. The track delivers exactly what fans have come to expect: unapologetic realism, a dose of self-deprecating humour, and lyrics soaked in weekend truth.
All in: Uggla Headlines with Full Band
As the third and final act of Mix Megapol Sensommarkväll—a mini-festival held as part of Göteborgs Kulturkalas—Uggla took the stage at Kungstorget after strong performances from Newkid and Miriam Bryant. While each artist had only limited stage time, Uggla, as the headliner of this segment, was granted a slightly longer set—much to the audience’s delight.
Unlike the previous acts, who performed with more modest arrangements, Uggla brought the full-band experience. Two guitarists, a bassist, a drummer and a keyboardist backed him up, delivering a punchy, dynamic sound that filled the square.
Despite his long career, Uggla’s energy on stage was anything but nostalgic—he delivered with the sharpness and charisma of someone who still has something to say.
Uggla Still Shines – On Stage and Beyond the Lens
As a photographer, the short sets and first-song-only photo policy meant working fast and staying sharp. With only minutes in the pit, timing and positioning were key. However, since Uggla was the last artist of the Mix Megapol segment—and no immediate act followed—there was finally time to step out among the crowd and actually enjoy the rest of his set without having to rush back into the pit for the next performance.
And what a show it was—tight, energetic, and packed with personality. Uggla's stage presence was as sharp and playful as ever, backed by a band that brought real punch to the performance. Decades into his career, he’s still got the spark—and he clearly enjoys every minute of being up there.
This show was shot with
Wider Shots
- Camera: Sony a7 III
- Lens: Tamron 28-75/f2.8
Close-Ups
- Camera: Sony a7R II
- Lens: Tamron 70-180/f2.8
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