After more than two decades of radio hits and Celtic-infused pop anthems, The Corrs returned to Sweden for a summer night at Liseberg’s main stage.
With a setlist balancing nostalgia and musicianship, the Irish family band reminded the crowd — and this photographer — just how much heart and harmony they still bring to the stage.
The Corrs Make a Nostalgic, Hit-Packed Return
To anyone who grew up in the golden era of MTV, The Corrs are a name etched into memory — a family band from Dundalk, Ireland, blending pop-rock melodies with Celtic flair and a warm, distinctly 90s sensibility. While their most recent album Son of Solomon dropped in 2017, many still associate them with their monumental records Talk on Corners (1998) and In Blue (2000), which carved out their place in the international pop landscape.
With that backdrop of nostalgic anticipation, seeing The Corrs live, especially in the picturesque setting of Liseberg in Gothenburg, felt like stepping into a time capsule — one filled with flutes, fiddles, and irresistible melodies.
Anticipation Hangs Heavy Before the First Chord
The Corrs took the stage just five minutes behind schedule — but that brief delay only seemed to amplify the energy. Wedged into the photo pit, I could feel the crowd right up front practically vibrating with anticipation, ready to burst. This wasn’t just another summer show; for many, it was a long-awaited reunion with a beloved band, and the tension in the air turned into pure excitement the moment the lights dimmed.
A Tight-Knit Ensemble with New Additions
The Corrs took the stage as a six-piece outfit: the original four siblings — Andrea (vocals/flute), Sharon (violin/vocals), Caroline (drums/percussion), and Jim (keyboards/guitar) — joined by two backing musicians on guitar and bass.
The mix of family chemistry and professional polish was evident from the start, even as the set opened on a somewhat tentative note. But there was no mistaking that they were building toward something.
Andrea’s Cheerful Energy Lights Up the Stage
Andrea, ever the charismatic frontwoman, was easily the most animated presence on stage — all cheerful hops and bright smiles, occasionally adding her flute to the mix when the band ventured into instrumental territory. She even charmed the crowd with a few phrases in Swedish, sprinkling in some “tack” and lighthearted banter between songs.
Sharon and Jim were more grounded in their roles — Sharon’s violin lines adding the band’s signature Celtic touches, and Jim multitasking effortlessly between acoustic guitar, synth, and piano.
Caroline, partially hidden behind her drum kit on the tall Liseberg stage, eventually stepped forward for a few songs, adding percussion up front and giving the crowd a better view of her rhythmic finesse.
Back-Heavy Set, but the Hits Eventually Rolled In
The show opened on a somewhat tentative note, with the band clearly saving their biggest tunes for the second half.
As the show hit the one-hour mark, everything clicked. Radio — a personal favourite — marked the turning point, igniting a run of hits that reminded everyone just how deep The Corrs’ catalogue runs.
Queen of Hollywood followed, with the guest guitarist delivering tasteful, expressive leads, and Dreams arrived in grand fashion, showcasing Jim’s effortless instrumental juggling — switching between synthesized rhythm playing and delicate acoustic guitar arpeggios.
Thunder only happens when it’s raining, as the lyric of Dreams goes, but this evening Liseberg was instead graced with a cloudy, but beautiful coral-hued sky as the sun began to set.
A Glorious Finale
The crescendo continued with a crowd-pleasing triple punch: I Never Loved You Anyway, So Young, and Runaway, each met with louder cheers than the last. The band briefly exited, only to return for a show-stopping encore.
First came Breathless — arguably their biggest hit — with Jim now wielding a Fender Telecaster sporting a unique custom paint job. The crowd roared with recognition, prompting Andrea to respond with a playful, “Tack tack tack, all day long!”
To my surprise, they closed the night with the Irish traditional instrumental Toss the Feathers — an unexpected choice, but one that the crowd embraced wholeheartedly thanks to its infectious energy.
A Night to Remember
All in all, it was a generous 90-minute set that leaned into nostalgia without ever feeling stuck in the past. If the early moments of the show were about warming up, the second half was all fire — a glowing reminder of the band's timeless appeal. And judging by the smiling faces exiting the park, The Corrs still have the magic.
Further Listening
This show was shot with
Wider Shots
- Camera: Sony a7 III
- Lens: Tamron 28-75/f2.8
Close-Ups
- Camera: Sony a7R II
- Lens: Tamron 70-180/f2.8
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