Gothenburg-based TPCX brought their genre-blurring “filth pop” to Borås as part of the Amplified Tour, delivering a high-energy set that fused alt-pop, hyperpop and electronic rock.
With a level of production and a clearly defined artistic identity that already feels remarkably refined, TPCX stand out as a highly promising name within Sweden’s alternative pop and rock scene – making their placement as the opening act all the more surprising.
Concert review: TPCX live at Amplified Tour, Kulturföreningen Tåget, Borås – 24 April 2026
Formerly known as The Parity Complex, Gothenburg-based TPCX are quickly carving out a space of their own within the modern alternative pop landscape. Blending alt-pop, electronic rock and elements of electroclash, the five-piece have coined their own label, “filth pop”, a descriptor that reflects both their provocative lyrical themes and genre-blurring sound.
The band consists of Johanna Henriksson Wennström (vocals), Linus Holmström (guitar), Dennis Hansson (keyboard, guitar), Axel Carlsson (bass) and Felix Blomquist (drums). Their music often draws comparisons to artists like Charli XCX and Wet Leg, while also tapping into a broader resurgence of early-2000s aesthetics. Tracks such as “Sin” and “Ask Me Out” highlight their knack for combining sharp attitude with infectious hooks.
An unexpected opening slot
That sense of polish and refinement made it all the more surprising to find TPCX opening the Borås stop of the Amplified Tour at Kulturföreningen Tåget. The evening featured four West Swedish acts, including Valar på land, Exit Stage Left and Väster-ut, with TPCX showing a particularly strong focus on production and overall presentation.
The show itself began slightly behind schedule, kicking off around 18:50 instead of the advertised 18:30. With the band’s equipment already set up, even the opening presenter joked about the tech-heavy setup, asking if he could get some distortion on his own microphone via Johanna’s pedalboard.
A modern, tech-driven live setup
TPCX present themselves as a thoroughly modern band in a live setting. Multiple members switch between traditional instruments and keyboards, while all but the drummer appear to utilise Line 6 Helix units as digital pedalboards to shape their sound in real time. The setup strongly suggests a fully digital workflow with amp simulators and vocal effects, bringing a studio-like precision to the stage.
Building intensity through the set
Musically, their set reflected the evolution of their sound. Earlier material leans towards alt-pop, while newer songs push into heavier territory. “Sin” and “Ask Me Out”, both placed at the end of the roughly 35-minute set, delivered a powerful and explosive finish with bursts of distorted, almost screamed vocals.
Other tracks included “Ice Stone Cold”, alongside the recent single “No He Don’t Deserve Me”, whose chorus leans into a hyperpop-tinged electronic sound, with hints of electroclash energy reminiscent of Alice in Videoland.
Visual identity and stage presence
Visually, TPCX tap into a vein of late 90s and early 2000s alternative culture that continues to resonate with millennial audiences. There are echoes of Garbage and hints of nu metal aesthetics, not least through Johanna’s Adidas-inspired styling.
Johanna Henriksson Wennström proves to be a natural frontperson. With her striking green hair and commanding presence, she effortlessly draws focus while the rest of the band maintain a cool, understated energy behind sunglasses. Her expressive delivery translates seamlessly from video to stage, balancing charisma with unpredictability.
First impressions and expectations
My own introduction to TPCX came just the night before the show, via the video for “Sin”. Its raunchy tone and infectious chorus immediately stood out, setting high expectations. That was followed by “Ask Me Out”, whose chaotic and darkly humorous video presents Johanna as both confrontational and wildly entertaining. A full run-through of their catalogue on Spotify only reinforced the impression of a band with a clear identity and strong potential.
A band to watch
For listeners already tuned into the wave of UK acts blending rock and electronics, such as Alt Blk Era, Dead Pony and Vukovi, TPCX feel like a natural and welcome addition.
They may have opened the night in Borås, but they left with the impression of a band destined for bigger stages. Definitely one to watch.
This show was shot with
Camera bodies
- Sony a7 IIIMidrange/telephoto shots
- Sony a7R IIWide-angle shots
Camera lenses
- Samyang 35-150mm f2–2.8Midrange/Telephoto Zoom
- Tamron 16-30mm f2.8Wide-angle Zoom
Concert photo gallery
